Wednesday, November 23, 2011

Another Post!?

What's the world coming to??
Just kidding.  It's not that epic.

I had decided that I was going to wait until later to write the next post... but then I decided that since I was already in the writing mood, I may as well just start it.  So we'll see what happens.

I'm going to talk about one of the things I've started doing before I start doing more reviews or anything, just to break it up a bit.  I've probably mentioned this before, but we're going to do it again.  So there. (=
I make jewelry.  I like beading.  Lately I've taken to using wire. I crochet!  Wire, yes.  It's very interesting.  It's kind of complicated, but it's not very hard and it's kind of fun--except for when the wire starts rubbing my fingers raw; that's not so very fun--and the results are very cool.  For example:
Picture quality is NOT the best because I took it on my webcam, but you get the idea.

This one is done with regular sized glass beads and dark purple wire.  I would take a new picture of it, but I sold it!  Actually, all of the pieces that I'm going to display here were sold this weekend.  Which was cool. (=

I lied, because this one is mine.  And I'm wearing it right now. (=  I love it.













So that's that!  It's kind of fun.  I've started getting a bit more adventurous about it now that I'm more comfortable with it.  I am considering taking orders... Will get back to you on that.  (I'm so busy I'm not sure I have time to do that much extra work!)

So... yeah... This has been mostly pictures, I know, but I have 40 minutes before I have to go to work and I do have a few things I should prooooobably accomplish beforehand.  I don't really want to do anything though.  I got a cold yesterday and the sinus pressure is just killing me.  Last night I felt like someone stomped on my face a few times.  It's not so bad today, but I'm also kind of living on Dayquil.

Oh. So I got a job.  At Journey's in the mall.  It's a shoe store, if you're unfamiliar.  And I really like it, but I'll have worked a grand total of like, 11 hours? of retail before Black Friday.  I might very well die, you guys.  If you don't hear from me for awhile, you might have to start worrying. hahahaha.
Just kidding, I'm sure I'll be fine.  But I won't lie that the prospect kind of scares me.  I don't even know what Black Friday looks like!! D=  Uh oh.  This could be one hell of a shift!  I'm both excited and nervous.

On that note, I'm out.  Because i just wasted another 10 minutes hahaha.

Ta ta!

--Emily Renae <3

Moooooorrrrrrre Music!

Because I have this really terrible habit of going out and buying CDs, I have another like, 12 albums to review with you!  I didn't buy all 12 I promise.  Two of them I borrowed from a friend.  (A very cute friend, I might add. lol)  And I very much doubt that I'm going to put them all in this post because that would take far too long and I really want to get this post out ASAP just simply because there's a lot of stuff going on in my life and it's a pain in the arse (not too sure how I really feel about that word, really... on some levels it irritates me, but I'm trying to use it here and there to get used to it and see what happens.  I still don't think I'm going to like it though) to keep up with it all and this.  Which is why, up until I posted my comp paper, I hadn't posted in over a month.  Whoops.  Sorry!

So.  Let's begin, shall we?
Hold On Til the Night: Greyson Chance

Okay. Do not judge me.  I love Greyson.  He's such a cutie and he has a lot of talent.  Way more than Bieber, if you ask me.

He's like, 13!  Absolutely adorable small child. haha.  He makes my day.  I'm practically obsessed with "Unfriend You" right now, which is probs silly but I love it anyway.
He has a really good voice, and he's very good on the piano.  If you haven't seen it, you ought to YouTube his cover of "Paparazzi" by Lady Gaga.  I almost like him better. hahaha Almost.
It's relatively poppy, but go figure, you know?  I still enjoy it.  He's kind of my hero.
Okay, so maybe not really.  But even still, I listen to him a lot. 
I quoted one of his songs online one time and some guy told me to get a life.  No shame, y'all.  No shame. hahaha

I have a habit of bringing up an album and then not actually talking about it, don't I?  My bad.  It's a pop album.  What do you expect?  Mostly love songs, but they aren't like, totally serious.  They're just a lot of fun.    They aren't hardcore "I need you to live" "My life belongs to you" "I can't go on without you" kind of love songs.  They're just... They're the kinds of songs a 13-year-old would write.  Not to say they're 'typical,' exactly, but in a way, yes.  He's exceptionally talented; that's all I can really say.

Who You Are: Jessie J

British hip-hop/pop/R&B/rock artist and I totally love her.  She had a song that was all over the radio for awhile a few months ago--"Pricetag" featuring B.O.B.--and I really liked it.  My roommate played "Do It Like a Dude" in the car a few weeks ago and I was instantly all over this.  It's a really great album.  She's super gorgeous and has a bomb voice.  Plus I love her accent, hahaha.

Her music has a lot of attitude.  But not in a way that makes her seem/sound bitchy, just strong-willed.  It's not all that way, of course, but the majority of it is fast, fun, and spunky, for lack of a better term.

She has a gold pattern in her lipstick there.  I love it.  I would like to know how precisely they do that stuff.  I almost feel like that was a design they pressed on, though... Hard to say.

NEEEEEXT!
Future History: Jason Derulo

It really bothered me that he stole the chorus of Africa by Toto.  Like, for real, write your own damn songs.

Aside from that, it's a pretty decent album.  More Jason Derulo. hahaha.  He's one of those guys that established a sound and does well to stick with it.  He's established himself a niche with his sound, and he would be very smart to stay there. haha.
So it's a good album if you like the guy. I do.  Aside from the fact that he seems to need to put his name into every single song at least once. That's getting old.  Oh wellz, I guess.

Moving along.

 Grace Potter & The Nocturnals: Grace Potter & The Nocturnals

Self-titled album (no shit, Sherlock).  Band with a crazy long name.  Why would you do that?  Whatever. haha.

Grace Potter is kind of an alternative-folk band, really.  That's the best categorization I have to give it.  alt-folk/pop-rock.  They've got some spunk to 'em.  I like this album, even though it's not what I was expecting, nor is it the kind of music I listen to on a very regular basis.  I review all kinds of weird random music, but I don't do much for folk music, and there's a reason for that. hahaha.  It's not that I don't like it, because I do, but it's the kind of stuff that I will generally skip past, I guess.  Oh well.

Paris (Ooh La La) is actually really... unlike the rest of the album, and that's part of why I wasn't expecting what I heard when I listened to it.  (For anyone that read that and has no idea what it meant, the song was played on the radio constantly for awhile. It's probably still played periodically, but I don't listen to the radio so I wouldn't really know.)

Sanctus Real: Pieces of a Real Heart

This is a Christian soft-rock/alt-pop band.  And I rather like them, in the way that I like most Christian music.  Their lyrics are nice and inoffensive, relatively soft.

I don't know.  They're a Christian band.  They came up on one of my Pandora stations. And I like them.  I don't think I really have anything to say about this album.

Half the time I feel like I just put albums in this blog "to review" as in to inform you that I have it.  Which is stupid, I know, but I can't really figure out why the heck else I might do it.


Sum 41: Screaming Bloody Murder

How many ways can you spell angst?

This is a very unhappy album.  The vocalist and Avril Lavigne were married briefly and then got divorced and it really wasn't like, the 'celebrity divorce of the century' like Kim Kardashian's pathetic publicity stunt, but nevertheless.  The question really was who divorced who.  I'm sure they'd say it was mutual, but music doesn't lie.

Avril has some pretty sad songs on her album. Considering her ex-husband did a lot of the production of it, I can imagine that being very awkward.
Sum 41's album is very dark, and very, very unhappy.  Once I listened to this album, it was relatively apparent that she divorced him.  (According to my roommate, he's a cheating skank who apparently deserved it, but I'm not going to get into it because I really don't know and it's not my or your business.  Plus it's somewhat irrelevant.)  But you can definitely tell in this album that he's not really okay with the break-up.  It's probably complicated.  When is it ever anything but?



Before this post gets obscenely long or something, I'ma stop.  I have like, 6 more albums to go through with you as well as at least 3 or 4 books, but we'll do that another day.  Hopefully this weekend, since I didn't get any out after my paper LAST weekend.  This is getting ridiculous.  I always have somethign else I need to be doing that isn't what I already AM doing.
Right now, for instance, I should be either napping, eating, packing, or cleaning.  But I am doing none of the above because I dubbed this more important.  Weird. lol.

Ta ta!

--Emily Renae <3

P.S.--Happy Thanksgiving!
And don't call it "Turkey Day" because that's bloody stupid and gets on my nerves.  Thanksgiving isn't even a religious holiday; don't start making up dumb-ass names for it.

Thursday, November 17, 2011

Here, Have My Paper

We wrote papers for my comp class.  I kinda like mine. It's interesting.  Worth considering.  And since I haven't posted in awhile, it's something. Right? Right?! hahaha.  It's not that great in all reality.  But whatever.


The Actions of Gender Roles in Modern Society
            The buzz about gender roles in culture right now is mainly negative in the sense that we simply should not have them.  The theory is that by impressing these gender roles upon the youth, they are confined to an ages-old set of expectations that should not need to be met in the era that we are in.  However, it is my opinion that these gender roles are highly important to the well-being of children.  I will be discussing first the necessity of gender roles on both small and large scales, the manipulations of those roles, and lastly the results of attempting to abolish them from society.
            To begin with, why on earth could something so defining as gender roles be necessary to individuals as well as to society as a whole?  Our culture is all about the freedom of expression right now, especially in regards to sexuality and the exploration of it.  In this way, the trend has been an attempt to make people stop forcing gender roles on their children when they’re young.  However, my judgment is that gender roles play a very important part in the psychological development of an individual, and that children need guidance to understand how to interact with their environment and their peers.
            “Barbie Doll” by Marge Piercy illustrates the expectations society places on females with the majority of her first stanza, “This girlchild was born as usual / and presented dolls that did pee-pee / and miniature GE stoves and irons / and wee lipsticks the color of cherry candy” (Piercy 1-4).  Similarly, the societal expectations of boys are well-elucidated in “The Wussy Boy Manifesto” by Big Poppa E, who writes, “I tried to like hot rods and jet planes / and football and Budweiser poster girls, / but I never got the hang of it! / I don’t know what’s wrong with me…” (Poppa, 7-10).
            These put very negative lights on gender roles that seem highly confining and mold-like, but they are psychologically natural for us in part because that is how our brains are genetically hardwired and partly because it is the image that society projects for us as “how you are supposed to be.”  Simultaneously, a major part of our culture is trying to abolish these roles and tell children to choose their own gender without regard for familial or societal influence.  This seems irrational and ridiculous, though, because gender is a role vastly influenced by environmental stigma.
            Essentially, children are genetically hardwired from birth to have certain sex-based traits, but not in their gender.  For example, maternal instincts are female sex-based traits, but the desire for dresses, frills, and ribbons is a gender role based action.  But, because sex-based traits are internal, gender roles are necessary for the outward expression of those traits.  Without that outward expression, attracting a mate is difficult because men are not reassured that a woman is capable of the responsibility of a wife. 
            What happens when these roles are manipulated is a plethora of interrelationship difficulties because subconscious desires have been subverted.  For example, as described in further stanzas of the aforementioned Piercy poem, “Then in the magic of puberty, a classmate said: / You have a great big nose and fat legs” (Piercy 5-6).  Following these lines, the girlchild of discussion, who was perfectly normal and fine, “…went to and fro apologizing. / Everybody saw a fat nose on thick legs” (Piercy 10-11).  Finally, she gave in and altered herself via plastic surgery to make herself ‘good enough’ for society.
            This is a manipulation of the female gender role given to us, because our role has shifted from being capable of home-making and –maintaining, child-bearing and mothering, being in need of—or at least in desire of male companionship and protection (a type of ownership that is ‘politically incorrect’ to label such due to the feminist movements in the country)—in the way that we are expected to look a relatively specific way, and if we do not fit that mold provided for our altered role, we are expected to use whatever means necessary (i.e. plastic surgery) to make ourselves into said mold.  This is a practice that toys with the variety of desirable phenotypes (the observable genetically-controlled traits of an organism) ; prospective mates are thrown off by the illusions our technology provides us, thereby providing couples unrealistic expectations of the physical attributes of their offspring.  Even though the physical attributes of an individual only influence gender very little (in the way that women with very masculine features have a higher frequency of masculine tendencies than women with very petite features).
            Furthermore, “What I Have Been” by Guy Peckham illuminates a male perspective on the inability to meet societal expectations with the following:
“From a solitary tower high above me
float the faint voices
of my parents,
drifting down like black snow.
‘He’s so timid.’
‘He’s so shy.’
‘He withdraws from others.’
‘We’re so embarrassed.
What shall we do?’

I would run from this house,
were it not for the chains of shame
anchoring me solidly to the bedpost.” (Peckham 6-18)
            What Peckham is saying here is that he was always expected to be exuberantly confident, or at the very least confident enough to initiate interactions, and because he was neither capable of the action or of the ability to outgrow his shyness, he was so ashamed of himself that he found he could not even run to hide.  Big Poppa E adds to this perspective, but with a different attitude:
“you may see 65 inches of wussy boy
standing in front of you,
but my steel-toed soul is
ten foot tall and bullet proof!

bring the pain, punk,
beat the shit out of me,
show all the people in this bar
what a real man can do
to a shit-talking wussy boy like me

but you’d better remember
my bruises will fade
my cuts will heal,
my scars will shrink and disappear,
but my poem
about the pitiful, small, helpless
cock-man oppressor you really are
will last
forever.” (Poppa 72-89)
            “The Wussy Boy Manifesto” really takes that same inability to meet expectations that Peckham faced but turns it around and uses it to stand on and fight back.  He dares those that would call him a ‘wussy boy’ to really ‘teach him a lesson’ and ‘prove their masculinity’ by beating up a guy that realistically poses them no threat.  Clearly he is not looking to start a fight, nor is he attempting to steal someone’s girlfriend, and he isn’t getting into the middle of anybody’s business; he just simply isn’t like them and dares people to use it as an excuse to oppress him.  Peckham chose to be ashamed of his inability to conform; Big Poppa E revels in it.
            This leads me into my final point, regarding the detriment to society from the degradation of gender roles.  In a society that has broken down the roles of gender, it has inevitably broken down the roles of itself because it creates an entire faction of people that are dissatisfied with what they have, whatever that may be.  With neither males nor females raised in this new universe knowing what is expected of them, nor what to expect from others, obviously no expectations can actually be met from either end of a relationship.  Therefore, regardless of what happens, especially within a marriage, both spouses feel as if they are getting the ‘muddy end of the stick,’ so to speak, because both have been taught throughout life that it simply is not their job to take care of everything.
            Because society has blurred the roles of men and women, nobody is entirely sure what exactly their role is, so when they get into the age at which they enter marriages, they have lost both their, and their spouse’s role.  Because there is no clean-cut division of roles, now there is dissatisfaction because the responsibilities of marriage are difficult to divide.  Whose job is it to cook, clean, perform home and yard maintenance, or take care of the vehicles—especially if both own one?
            Individuals who have been raised with an understanding of their gender role have no problem shifting into it when that time comes; individuals that were not raised with a set role and with the concept that established roles are automatically treated as wrong have inaccessible expectations of what happens next when the age of marriage hits.
            The concept of “‘me’ versus ‘we’” brings into play the problems regarding instinctual activities.  For example, men instinctively leave the task of child-raising to women, who instinctively want to raise them—though this instinct has been highly challenged in the last few decades—but now, women don’t have the necessary time to do so because of their shifted role as a bread-winner.
            Thus, when individuals do not understand their roles within the unit of a marriage, it is even more difficult to understand their role in society.  What career does one pursue when you are not sure if you, or your spouse, has to make the most time for your children?  What type of laws do you support if you are not sure how exactly they might affect your relationship and its orb of effect?  Most importantly, how can society function when it requires an interaction of people who are raised to be so egocentric that the ability to view society as a single unit is lost?
            In conclusion, it is my honest and unalterable opinion that gender roles are very necessary to individuals as well as to society, that manipulating roles is unhealthy for one’s well-being, and that the degradation of gender roles is a major detriment to society in the way that it removes the ability to function as a single unit.  These notions are supported through the poems heretofore discussed and, at the very most basic of notions lies the sentiment quoted by Big Poppa E, “I am human and I need to be loved / just like everybody else does” (Poppa 47-48).


Works Cited
Peckham, Guy.“What I Have Been” (2003). 2011 Class Anthology.Print
Piercy, Marge.“Barbie Doll” (1999). 2011 Class Anthology.Print
E, Big Poppa.“wussy boy manifesto” (1999). 2011 Class Anthology.Print